P -2
SYMPONY WOOD : BY Phanibhushan DELHI T.V SHOW IN PANAROMA ; 31 / 07 / 1979 .
----------------------------------------------------------------------------------------------------------------------
Q ;( Mrs. Pandey) : Do you think any particular type of wood helps you ?
P.B : I have not given much thought to this particularity of pattern or type . To me , durability or quality od wood has not been the main criterion .
I a a poet and try to be creative . Anything beautiful and having creative flow was good enough for me , now . Suppose --the fragrance of a flower. how fragile it is
and yet so beautiful in abstract sense. I wish I could hold it in my hand or frame it for even a while !
Mrs, Pande: You must have travelled far and wide to find these Art - pieces ?
P.B : well , --not much .I did not have much scope nor my porfession allowed it . I was mostly bound in to Delhi by demand of situation and also my profession. Almost 80% of the pieces you see here , wer found in urban Delhi alone .
Q : After you find these wood pieces what methods you apply to put your skill or feeling .
P.B : May I put it in my own way !
I was essentially a Poet first and I neither had schooling or training in the field of Visual Art. But did not feel lost because from my field of Poetry itself I knew the Art giving expression by compression , exclusion and even by distortion of words ,
So as and when I find a piece waste would teasing me with suggestions , I oul cut , assault , even distort it to bring on its surface the hidden expression that I was always finding around ..
SYMPONY WOOD : BY Phanibhushan DELHI T.V SHOW IN PANAROMA ; 31 / 07 / 1979 .
----------------------------------------------------------------------------------------------------------------------
Q ;( Mrs. Pandey) : Do you think any particular type of wood helps you ?
P.B : I have not given much thought to this particularity of pattern or type . To me , durability or quality od wood has not been the main criterion .
I a a poet and try to be creative . Anything beautiful and having creative flow was good enough for me , now . Suppose --the fragrance of a flower. how fragile it is
and yet so beautiful in abstract sense. I wish I could hold it in my hand or frame it for even a while !
Mrs, Pande: You must have travelled far and wide to find these Art - pieces ?
P.B : well , --not much .I did not have much scope nor my porfession allowed it . I was mostly bound in to Delhi by demand of situation and also my profession. Almost 80% of the pieces you see here , wer found in urban Delhi alone .
Q : After you find these wood pieces what methods you apply to put your skill or feeling .
P.B : May I put it in my own way !
I was essentially a Poet first and I neither had schooling or training in the field of Visual Art. But did not feel lost because from my field of Poetry itself I knew the Art giving expression by compression , exclusion and even by distortion of words ,
So as and when I find a piece waste would teasing me with suggestions , I oul cut , assault , even distort it to bring on its surface the hidden expression that I was always finding around ..
No comments:
Post a Comment